Here is what the IFF site says:
Adapted from Maureen Medved's novel, the film takes its title literally. It eschews a traditional linear narrative in favor of an audacious sound-and-vision collage with the screen continually split up into fragments. Instead of falling into a set pattern throughout, the fragments (which range from two to twenty at any given moment) appear, scatter and overlap in a seemingly infinite number of configurations. The fluid, jagged editing rhythms result in illusory tricks, often leaving the viewer wondering how or if a certain fragment is related to another. Fortunately, the style and story mesh perfectly; not only do we see many perspectives onscreen simultaneously but we also get a vivid sense how Tracey's reality and fantasy tend to blur (out of nowhere, a heavily stylized credits sequence appears for Tracey's own movie about her life). Featuring an effectively atmospheric score by Broken Social Scene, the film establishes a new creative standard for what one can accomplish with digital video.
-Chris Krioske
Showings:
Fri, Apr 25, 09:45 PM: Coolidge Corner Theater
Sun, Apr 27, 10:00 PM: Somerville Theater - Screen 1
I'll be there (at the Coolidge screening), and I'll let you people on the intraweb know what I think.
Also Playing Tonight: Big Man Japan (Fri, Apr 25, 09:30 PM: Somerville Theater - Screen 5)
No comments:
Post a Comment